The filmmaker visits her dying father one last time. A phantasmagorical home movie about
the sadness of dying far from home.
Director:Miñuca Villaverde
Year of production: 1973
Country: United States
Running Time: 22’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Thursday December 7
19:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Saturday December 9
15:30h (GTM-4h)
e-flux Screening Room
172 Classon Avenue, Brooklyn, NY 11205, USA
Production: Miñuca Villaverde
Genre: Documentary
Language: English
Photography: Miñuca Villaverde
Screenplay: Miñuca Villaverde
Editing: Miñuca Villaverde
Sound Design: Miñuca Villaverde
Festival Selections: documenta fifteen, Ms. en Scene - Women’s Interart Center of New York.
Director's bio:
Miñuca Villaverde, Cuban filmmaker and writer. She worked as an actress and screenwriter in several productions of the Cuban Film Institute (ICAIC), among which “El parque” (1963, documentary) and “Elena” (1964, fiction) stand out. After going into exile in 1965, she directed short films such as “Blanca Puntica, a girl in love” (1973, Individual Independent Fellowship Award from the Creative Artists' Program Service, CAPS), “To my father” (1974) and “Poor Cinderella, still ironing “her husband shirt” (1978), linked to the New York experimental film scene. His documentary “Tent City” (1980), about a refugee camp during the Mariel exodus, is one of the most recognized works of Cuban audiovisual material made in the diaspora. She has published the books “Fue una gran fiesta” (2009, with Fernando Villaverde) and “Los Días de la coleccionista” (2010).
The story of the Cubans who arrived in Miami during the Mariel Boatlift and were housed in improvised camps in the heart of the city. Everyone lived together: men and women, homosexuals and heterosexuals, separated only by cloth curtains that hung from ropes suspended between the beds, like floating walls.
Director:Miñuca Villaverde
Year of production: 1980
Country: United States
Running Time: 30’
Programming
Tuesday December 5
19:00h (GMT+1)
Zumzeig Cinecooperativa
C/ de Béjar, 53, 08014 Barcelona, Spain
Saturday December 9
17:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Production: Miñuca Villaverde, Fernando Villaverde
Genre: Documentary
Languages: Spanish, English
Photography: Miñuca Villaverde
Screenplay: Miñuca Villaverde, Fernando Villaverde
Editing: Miñuca Villaverde
Sound Design:Fernando Villaverde
Festival Selections: Individual Artist Fellowship - Division of Cultural Affairs of the Florida Department of State and the Fine Arts Council of Florida, documenta fifteen, Showcase "Paisajes para después de la utopía: Herencias en el cine cubano" - Círculo de Bellas Artes de Madrid.
Director's bio:
Miñuca Villaverde, Cuban filmmaker and writer. She worked as an actress and screenwriter in several productions of the Cuban Film Institute (ICAIC), among which “El parque” (1963, documentary) and “Elena” (1964, fiction) stand out. After going into exile in 1965, she directed short films such as “Blanca Puntica, a girl in love” (1973, Individual Independent Fellowship Award from the Creative Artists' Program Service, CAPS), “To my father” (1974) and “Poor Cinderella, still ironing “her husband shirt” (1978), linked to the New York experimental film scene. His documentary “Tent City” (1980), about a refugee camp during the Mariel exodus, is one of the most recognized works of Cuban audiovisual material made in the diaspora. She has published the books “Fue una gran fiesta” (2009, with Fernando Villaverde) and “Los Días de la coleccionista” (2010).
An experiment with celluloid images, based on discards from the short Blanca Putica: A Girl in Love. Blanca Putica: A Girl in Love.
Director:Miñuca Villaverde
Year of production: 1978
Country: United States
Running Time: 7’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Thursday December 7
19:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Friday December 8
19:00h (GMT+1)
Zumzeig Cinecooperativa
C/ de Béjar, 53, 08014 Barcelona, Spain
Production: Miñuca Villaverde
Genre: Experimental
Language: English
Photography: Miñuca Villaverde
Screenplay: Miñuca Villaverde
Editing: Miñuca Villaverde
Cast: Miñuca Villaverde
Festival Selections: documenta fifteen, Florida Independent Filmmakers Festival (Award)
Director's bio:
Miñuca Villaverde, Cuban filmmaker and writer. She worked as an actress and screenwriter in several productions of the Cuban Film Institute (ICAIC), among which “El parque” (1963, documentary) and “Elena” (1964, fiction) stand out. After going into exile in 1965, she directed short films such as “Blanca Puntica, a girl in love” (1973, Individual Independent Fellowship Award from the Creative Artists' Program Service, CAPS), “To my father” (1974) and “Poor Cinderella, still ironing “her husband shirt” (1978), linked to the New York experimental film scene. His documentary “Tent City” (1980), about a refugee camp during the Mariel exodus, is one of the most recognized works of Cuban audiovisual material made in the diaspora. She has published the books “Fue una gran fiesta” (2009, with Fernando Villaverde) and “Los Días de la coleccionista” (2010).
In a house, in no man's land, a video game player lives with his family. Other characters move through this concentric empire, agitated by an omnipotent force. The player questions his role in what he understands as a war between Reality and Language. The Great Adversary
develops his strategy from a distant world, a place populated with a system of spheres, maps, embryos, where he controls the march of his armies.
Director:Rafael Ramírez
Year of production: 2019
Countries: Cuba, Venezuela, Mexico
Running Time: 70’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Thursday December 7
21:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Saturday December 9
17:00h (GTM-4h)
e-flux Screening Room
172 Classon Avenue, Brooklyn, NY 11205, USA
Production: Carolina Graterol, Rafael Ramírez, Víctor Santillán
Genres: Fiction, Experimental
Language: Spanish
Production Companies: Maraca Cine, WunderKabinett Films
Photography: Laura Sanz
Screenplay: Rafael Ramírez, Jimmy Nieves
Editing: Alejo Alas
Sound Design:Jesús Bermúdez
Music: Rafael Ramírez, Jesús Bermúdez, Rafael R. Betancourt
Cast: Jimmy Nieves, Ramón Legón, José Luis Rodríguez Mustelier, José Luis Carralero
Festival Selections: Curaçao International Film Festival Rotterdam, Festival Internacional del Nuevo Cine Latinoamericano, documenta fifteen, Irida Visions, Horizontes do Filme Ensaio – Porto Alegre.
Director's bio:
Rafael Ramírez (Cuba, 1983). BA in Audiovisual Communication by the University of the Arts, Havana, Cuba. Graduated in Documentary Filmmaking at the EICTV of San Antonio de los Baños, Cuba. His work has been part of international programs in France, Spain, Switzerland, UK, Colombia, Argentina, Uruguay, Brazil, Chile, USA, Greece and Japan. His short films and projects have been premiered or selected in relevant film festivals such as Locarno, Mar del Plata, DocumentaMadrid, Festival Internacional del Nuevo Cine Latinoamericano, Frames of Representation, Neighboring Scenes, FICValdivia, FestCurtas, MAFIZ, Frontera Sur, DocLisboa, CortosCali, among others. In the 32th edition of Mar del Plata was presented a retrospective of his works in the Altered States Section. Ramirez’s first feature “The Winter Campaigns” was premiered in the Curaçao International Film Festival Rotterdam, 2019. In 2021, DOCMA the Association of Documentary Cinema in Spain organized a retrospective of his work.
This is the story of the creation of the "new man" in Cuba, 58 years after that goal was established. The interviewees theorize about the idea of creating a citizen stripped of the vices and burdens of the capitalist system. The film attempts to decipher the way in which life is lived from the marginality and its relationship with prohibitions.
Director:Ricardo Figueredo Oliva
Year of production: 2019
Country: Cuba
Running Time: 60’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Wednesday December 6
19:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Sunday December 10
17:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Festival Selections: Festival Interuniversitario de Cine por la Democracia - Colombia, World Cinema Amsterdam, Películas que importan - Venezuela.
Director's bio:
Ricardo Figueredo (Cuba, 1972), filmmaker and producer. Graduated in Production from the Escuela Internacional de Cine y Televisión (EICTV) of San Antonio de los Baños, Cuba. He has produced multiple short and feature films, among which stands out the saga of Nicanor O'Donell directed by Eduardo del Llano. Since 2006 he has written and directed independent documentaries such as"Sexo, historias y cintas de video", "Operación Alfa o lo que le pasó a Benito Manso", "La singular historia de Juan sin nada", "La teoría cubana de la sociedad perfecta" and "Rojo, Amarillo, Verde". He is the founder of Cooperativa Producciones, a collective of film development and co-production, under which films such as "Casting", by Eduardo del Llano, and "Alberto", by Raúl Prado, have been awarded in the Festival Internacional del Nuevo Cine Latinoamericano of Havana.
Regina and Mauricio's long voyage dates back to when and how they met and fell in love, in the Utopian Cuba of the 1980s. During the couple's journey, there is an allusion to the opposition of Regina's father, who decided to disown the union with a mulatto from a poor family. Despite the many prejudices and obstacles, Regina and Mauricio stayed together for more than 35 years.
Director:Marcel Beltrán
Year of production: 2018
Countries: Cuba, United States
Running Time: 82’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Saturday December 9
14:00h (GMT-3)
Cinemateca Brasileira
Largo Senador Raul Cardoso, 207
Vila Mariana / SP, Brazil.
Production: María Carla del Río
Genre: Documentary
Language: Spanish
Production company: Marinca Filmes
Photography: Javier Pérez Ávila
Screenplay: Marcel Beltrán
Editing: Emmanuel Peña, Marcel Beltrán
Sound Design:Angie Hernández
Music: José Manuel Ordás
Festival Selections: Miami Film Festival, SANFIC, Malaga Film Festival, Festival de Biarritz Amérique Latine, Festival de Cinema Latino-Americano de São Paulo, New York Latino Film Festival, World Cinema Amsterdam, MiradasDoc, Festival Internacional del Nuevo Cine Latinoamericano, Rencontres de Cinemas Martinique (Best Documentary), Muestra Joven (Best Documentary / Best Production).
Director's bio:
Marcel Beltrán is a Cuban filmmaker currently living and working in São Paulo, Brazil. With film studies at EICTV (Cuba) and Concordia University (Canada), his films have screened internationally at festivals such as IDFA, Hot Docs, MoMA Doc Fortnight, DOC NYC, RIDM, FICG, Busan, DOK Leipzig, Málaga, among others. Founder of Mediocielo Films, professor at EICTV and Chavón | The School of Design, consultant for projects in development at international level and facilitator for sustainability in the arts.
The nation is born and dies in a constant cycle, shifting towards the most intimate memory: the first home.
Director:Alejandro Alonso
Year of production: 2019
Country: Cuba
Running Time: 12’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Saturday December 9
15:30h (GTM-4h)
e-flux Screening Room
172 Classon Avenue, Brooklyn, NY 11205, USA
Production: Yenisel Osuna, Alejandro Alonso
Genres: Documentary, Experimental
Languages: Spanish, English
Production company: La Concretera Producciones
Photography: Alejandro Alonso
Screenplay: Alejandro Alonso, Lisandra López Fabé
Editing: Alejandro Alonso
Sound Design: Glenda Martínez Cabrera
Festival Selections: Ji.hlava International Documentary Film Festival, Lima Alterna (Best Short Film), Neighboring Scenes - Film at Lincoln Center, Kurzfilm Festival Hamburg, São Paulo International Short Film Festival, Bogoshorts, Festival Internacional del Nuevo Cine Latinoamericano, Muestra Joven (Special Jury Award, Best Editing).
Director's bio:
Alejandro Alonso (Cuba, 1987). Graduated in Documentary Directing from the Escuela Internacional de Cine y Televisión (EICTV) of San Antonio de los Baños, Cuba. His documentaries have been awarded at multiple international film festivals. “The Farewell” (2014) had its world premiere at IDFA. His first feature-length documentary, “The Project” (2017), premiered at Visions du Réel and received the FIPRESCI Prize at DOK Leipzig. “Terranova” (2021) had its world premiere in Rotterdam and won the Ammodo Tiger Short Award. Between 2017 and 2019, Alonso Estrella coordinated the Alternative Cinema master's program at EICTV.
My uncle Julio Cesar left for the U.S. in the Mariel exodus in 1980. For the next 15 years he tried unsuccessfully to reunite with my family, until he contracted HIV and disappeared without a trace. The letters and postcards that served as a bridge between them are today my compass to find him.
Director:Alejandro Alonso
Year of production: 2016
Country: Cuba
Running Time: 9’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Saturday December 9
15:30h (GTM-4h)
e-flux Screening Room
172 Classon Avenue, Brooklyn, NY 11205, USA
Production: Yenisel Osuna, Alejandro Alonso
Genres: Documentary, Experimental
Language: Spanish
Production company: La Concretera Producciones
Photography: Alejandro Alonso
Screenplay: Alejandro Alonso
Editing: Alejandro Alonso
Sound Design: José Homer Mora
Festival Selections: Festival Internacional del Nuevo Cine Latinoamericano, New Latin Wave - Museo del Barrio de New York, Muestra Joven (Ludwig Foundation Award), documenta fifteen
Director's bio:
Alejandro Alonso (Cuba, 1987). Graduated in Documentary Directing from the Escuela Internacional de Cine y Televisión (EICTV) of San Antonio de los Baños, Cuba. His documentaries have been awarded at multiple international film festivals. “The Farewell” (2014) had its world premiere at IDFA. His first feature-length documentary, “The Project” (2017), premiered at Visions du Réel and received the FIPRESCI Prize at DOK Leipzig. “Terranova” (2021) had its world premiere in Rotterdam and won the Ammodo Tiger Short Award. Between 2017 and 2019, Alonso Estrella coordinated the Alternative Cinema master's program at EICTV.
In Havana, a man peacefully sleeps during any given night, when he suddenly feels the approach of a strange phenomenon. A being from another planet makes contact with him in a calm and friendly way. They talk about the daily life of Cubans and the consumption of illicit substances.
Director:Ricardo Figueredo Oliva
Year of production: 2023
Country: Cuba
Running Time: 22’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Wednesday December 6
19:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Sunday December 10
17:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Cast: Carlos Gonzalvo, Mario Guerra, Grisell Monzón
Festival Selections: Festival premiere
Director's bio:
Ricardo Figueredo (Cuba, 1972), filmmaker and producer. Graduated in Production from the Escuela Internacional de Cine y Televisión (EICTV) of San Antonio de los Baños, Cuba. He has produced multiple short and feature films, among which stands out the saga of Nicanor O'Donell directed by Eduardo del Llano. Since 2006 he has written and directed independent documentaries such as"Sexo, historias y cintas de video", "Operación Alfa o lo que le pasó a Benito Manso", "La singular historia de Juan sin nada", "La teoría cubana de la sociedad perfecta" and "Rojo, Amarillo, Verde". He is the founder of Cooperativa Producciones, a collective of film development and co-production, under which films such as "Casting", by Eduardo del Llano, and "Alberto", by Raúl Prado, have been awarded in the Festival Internacional del Nuevo Cine Latinoamericano of Havana.
In an alternate reality, Fidel Castro uses genetic engineering to build the new man and thus save utopia. The experiment fails as these beings are highly intelligent but also cruel and uncontrollable. Rejected by their own creators, a group organizes a series of terrorist actions, and chaos reigns on the island. Elena, one of its members, traces the origin of her genes and begins a journey to try to discover her humanity.
Director:Miguel Coyula
Year of production: 2021
Country: Cuba
Running Time: 104’
Programming
Friday December 8
19:30h (GMT+1)
Maison de l’Amérique Latine
217 Bd Saint-Germain, 75007 Paris, France
Production: Miguel Coyula, Lynn Cruz
Genre: Fiction
Languages: Spanish, English
Production company: Producciones Pirámide
Photography: Miguel Coyula
Screenplay: Miguel Coyula
Editing: Miguel Coyula
Sound Design: Miguel Coyula
Music: Dika Chartoff, Porno Para Ricardo, Iván Lejardi, Sinfonity
Cast: Lynn Cruz, Carlos Gronlier, Héctor Noas, Mariana Alom, Fernando Pérez, Aramís Delgado, Eric Morales, Gabriela Ramos, Jeff Pucillo & Félix Beatón
Festival Selections: Moscow International Film Festival, Guadalajara International Film Festival (Jorge Cámara Award from the Hollywood Foreign Press Association), Minsk International Film Festival - LISTAPAD (Diploma for the Audacity of the Idea), Les Reflets du Cinéma Ibérique et Latino-américain, Cinélatino - Rencontres de Toulouse, BAFICI, Fantaspoa - Festival Internacional de Cinema Fantástico de Porto Alegre, Chicago Latino Film Festival, International Film Festival Innsbruck, CineBH International Film Festival, Festival de Cine de Todos Santos, Latino and Iberian Film Festival at Yale (Jury's Special Mention), CineHorizontes - Festival de Cinéma Espagnol de Marseille, Buenos Aires Rojo Sangre, Vancouver Latino Film Festival
Director's bio:
Miguel Coyula (Cuba, 1977), independent filmmaker. He studied Directing at the Escuela Internacional de Cine y Televisión (EICTV) in San Antonio de los Baños, Cuba, where he shot avant-garde short films such as "Bailar sobre agujas" (1999), "Buena onda" (1999) and "Clase Z Tropical" (2000), among others. In 2001 he received a scholarship from the Lee Strasberg Theater & Film Institute in New York, where Coyula made his first feature film, "Red Cockroaches" (2003), with a budget of less than $2,000 over two years. This film won 20 awards at international festivals and was hailed by Variety as "a triumph of technology in the hands of a visionary with know-how". His second feature film is "Memories of Overdevelopment" (2010), a sequel to the Cuban classic "Memories of Underdevelopment" (1968). The film premiered at Sundance and garnered a score of national and international awards. It was chosen as the best Cuban film of the year by the International Film Guide. In 2009, Coyula received the John Simon Guggenheim Fellowship. He returned to Havana in 2010 and has since made his first documentary "Nadie" (2017), as well as his third feature-length fiction film, "Blue Heart" (2021).
Havana, wonder city, has its roots in the spirit of those who inhabit it. The homeland that absorbs from its bosom and reveals itself to us. A utopian vision inspired by Havana and its symbols from the treatment and degradation of celluloid.
Director:Marcel Beltrán
Year of production: 2016
Country: Cuba
Running Time: 13’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Saturday December 9
14:00h (GMT-3)
Cinemateca Brasileira
Largo Senador Raul Cardoso, 207
Vila Mariana / SP, Brazil.
Production: Marcel Beltrán, Ivonne Cotorruelo
Genres: Documentary, Experimental
Language: Spanish
Production company: Mediocielo Films
Photography: Marcel Beltrán
Screenplay: Marcel Beltrán, Mauricio Beltrán
Editing: Marcel Beltrán
Sound Design: Marcel Beltrán
Cast: Mauricio Beltrán
Festival Selections: Festival Internacional del Nuevo Cine Latinoamericano, Muestra Joven (Jury Award), Cine joven cubano en el sur, Frontera Sur, Festival Insularia, Cuban Lens: Contemporary Cinema and Emerging Filmakers - New York, Festival Internacional de Curtas de Verín, documenta fifteen.
Director's bio:
Marcel Beltrán is a Cuban filmmaker currently living and working in São Paulo, Brazil. With film studies at EICTV (Cuba) and Concordia University (Canada), his films have screened internationally at festivals such as IDFA, Hot Docs, MoMA Doc Fortnight, DOC NYC, RIDM, FICG, Busan, DOK Leipzig, Málaga, among others. Founder of Mediocielo Films, professor at EICTV and Chavón | The School of Design, consultant for projects in development at international level and facilitator for sustainability in the arts.
Life and lives in New York City, sights and sounds of its streets and its people, at the time of
man's first landing on the Moon.
Director:Fernando Villaverde
Year of production: 1970
Country: United States
Running Time: 27’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Thursday December 7
19:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Saturday December 9
15:30h (GTM-4h)
e-flux Screening Room
172 Classon Avenue, Brooklyn, NY 11205, USA
Production: Fernando Villaverde, Miñuca Villaverde
Genres: Documentary, Experimental
Language: English
Photography: Fernando Villaverde
Screenplay: Fernando Villaverde
Editing: Fernando Villaverde
Sound Design: Fernando Villaverde
Festival Selections: documenta fifteen
Director's bio:
Fernando Villaverde (Havana, 1938) was director at the Cuban Film Institute (ICAIC) before going into exile in 1965. In Cuba he directed the shorts “El parque” (1963, documentary) and “Elena” (1964, fiction), as well as the fiction feature film “El mar”, production that was interrupted by censorship. In New York he became involved in the experimental film scene and made short films such as “Apollo, man to the moon” (1970) and “A Lady’s Home Journal” (1972). His books include “Diderot's Painted Lips” (Golden Letters Award, 1992) and “The Irresistible Fall of the Berlin Wall” (2016).
The real and/or imaginary life of a woman. Everything happens within a single universe: Her home.
Director:Fernando Villaverde
Year of production: 1972
Country: United States
Running Time: 19’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Thursday December 7
19:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Thursday December 7
17:00 (GMT+1)
Zumzeig Cinecooperativa
C/ de Béjar, 53, 08014 Barcelona, Spain
Production: Fernando Villaverde, Miñuca Villaverde
Genre: Fiction
Language: English
Photography: Fernando Villaverde
Screenplay: Fernando Villaverde
Editing: Fernando Villaverde
Sound Design: Fernando Villaverde
Cast: Miñuca Villaverde
Festival Selections: documenta fifteen
Director's bio:
Fernando Villaverde (Havana, 1938) was director at the Cuban Film Institute (ICAIC) before going into exile in 1965. In Cuba he directed the shorts “El parque” (1963, documentary) and “Elena” (1964, fiction), as well as the fiction feature film “El mar”, production that was interrupted by censorship. In New York he became involved in the experimental film scene and made short films such as “Apollo, man to the moon” (1970) and “A Lady’s Home Journal” (1972). His books include “Diderot's Painted Lips” (Golden Letters Award, 1992) and “The Irresistible Fall of the Berlin Wall” (2016).
Raudel works in a shipbreaking yard in western Cuba. Along with his co-workers, he lives inside the jagged metal and the smoke of the oil when it burns. He talks about spirits, about stories that await him somewhere. In his eyes, hope is opposed to that space where the line that separates the living from the dead is almost invisible.
Director:Alejandro Alonso
Year of production: 2023
Countries: Cuba, France
Running Time: 30’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Tuesday December 5
19:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Thursday December 7
17:00 (GMT+1)
Zumzeig Cinecooperativa
C/ de Béjar, 53, 08014 Barcelona, Spain
Friday December 8
17:00 (GMT+1)
Maison de l’Amérique Latine
217 Bd Saint-Germain, 75007 Paris, France
Friday December 8
14:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Sunday December 10
14:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Production: Boris Prieto, Alejandro Alonso, Oderay Ponce de León
Genre: Documentary
Language: Spanish
Production Companies: Vega Alta Films, La Concretera Producciones
Photography: Alejandro Alonso
Screenplay: Alejandro Alonso, Lisandra López Fabé
Editing: Emmanuel Peña
Sound Design: Glenda Martínez Cabrera, Velia Díaz de Villalvilla
Festival Selections: Visions du Réel, Documenta Madrid (Audience Award in the International Competition), États généraux du film documentaire, FIC Valdivia, DOK Leipzig (Golden Dove for Best Short Film), Raindance Film Festival, Curta Cinema, RIDM - Montreal International Documentary Festival, Kassel Dokfest, Clermont-Ferrand Short Film Festival, True/False Film Fest, Full Frame Documentary Film Festival (John Hope Franklin Humanities Institute Award)
Director's bio:
Alejandro Alonso (Cuba, 1987). Graduated in Documentary Directing from the Escuela Internacional de Cine y Televisión (EICTV) of San Antonio de los Baños, Cuba. His documentaries have been awarded at multiple international film festivals. “The Farewell” (2014) had its world premiere at IDFA. His first feature-length documentary, “The Project” (2017), premiered at Visions du Réel and received the FIPRESCI Prize at DOK Leipzig. “Terranova” (2021) had its world premiere in Rotterdam and won the Ammodo Tiger Short Award. Between 2017 and 2019, Alonso Estrella coordinated the Alternative Cinema master's program at EICTV.
François leaves Haiti by sailboat to the USA, leaving behind his wife, Mirlande, who is six months pregnant. She has to wait ten days to hear from her husband. And now ten years later, without any news, the woman who still waits offers a sacrifice to Agwe, the divinity of the oceans.
Director: Samuel Suffren
Year of production: 2022
Country: Haiti
Running Time: 18’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Tuesday December 5
19:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Tuesday December 5
14:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Wednesday December 6
14:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Thursday December 7
14:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Thursday December 7
17:00 (GMT+1)
Zumzeig Cinecooperativa
C/ de Béjar, 53, 08014 Barcelona, Spain
Production: Samuel Suffren
Genre: Fiction
Language: Haitian Creole
Production company: KITFILMS
Photography: Phalonne Pierre Louis
Screenplay: Samuel Suffren
Editing: Samuel Suffren
Sound Design: Roodie Rigaud Marcelin
Music: Erol Josué, Kaloune
Cast: Fabiola Remy, Mackenson Bijou, Jean Ophelson Milhomme, Etienne Saint-Fleur
Festival Track: Locarno Film Festival - Open Doors, FESPACO (Paul Robeson Prize), Toronto International Black Film Festival, Third Horizon Film Festival, Cinélatino - Rencontres de Toulouse, FILMAR en América Latina
Director's bio:
Samuel Suffren is a Haitian director and producer. He has directed several short films selected and awarded at multiple international festivals. His most recent short film, "Agwe", participated in the official selection of the 75th Locarno Film Festival and in the Clermont Ferrand Short Film Market. He also won the Paul Robeson Prize at the prestigious FESPACO festival. Samuel is currently preparing the feature documentary "Lòtbò", about the emigration of Haitians to the United States in 1980 and the fantasy of the American dream. "My name is Nina-Shakira" is his new feature film project, an adaptation of the novel "Les Immortelles" by Mackenzy Orcel. Samuel is president of the KIT association, a collective of Haitian photographers and filmmakers based in Port-au-Prince.
The website of Ali Khamenei, Iran’s supreme leader, is crammed with filmed sermons and speeches. Appropriating these official archives, Saleh Kashefi, an Iranian filmmaker exiled in Switzerland, has created a political fiction that is both hard-hitting and ambiguous. We bear direct witness to the dictator’s last moments before his downfall, as whispers fill the streets.
Director:Saleh Kashefi
Year of production: 2023
Countries: Iran, Switzerland
Running Time: 7’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Tuesday December 5
21:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Wednesday December 6
17:00 (GMT+1)
Zumzeig Cinecooperativa
C/ de Béjar, 53, 08014 Barcelona, Spain
Friday December 8
10:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Sunday December 10
10:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Sunday December 10
19:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Production: Saleh Kashefi
Genre: Documentary
Language: Persian
Production company: Jeunes sauvages, the world is ending and I’m making my films
Screenplay: Saleh Kashefi
Editing: Saleh Kashefi
Sound Design: Yatoni Roy Cantu
Festival Selections: Visions du Réel, IDFA – Paradocs, São Paulo Short Film Festival, Kassel Dokfest 2023, Silhouette Film Festival (Best Hybrid Film), Syncro Film Festival (Best Film).
Director's bio:
Saleh Kashefi is an Iranian audiovisual artist currently living in Geneva, Switzerland. He started as a child actor at the age of 9 and by the age of 12 he was shooting his own films. He has made 13 short films that have been screened in more than 100 film festivals around the world and won 27 awards. He has participated in events such as Cannes, Berlinale, Biennale, Locarno, Visions du Réel and FIDMarseille. His films are made with zero budget and feature a mix between fiction and documentary. Kashefi tells stories that until now have not been told in Iranian cinema.
Afibola and Olorun live in a house in downtown Havana. She is an afro-feminist poet, activist and queer ; he is her eight-year-old son. Afibola notices that her son's self-confidence is diminished by comments outside the home. She worries that it is something he will always carry with him. In the intimacy of the spaces where they live together, they reflect on the complexities of educating a black child in a racist and discriminatory society.
Director:Gretel Marín Palacio
Year of production: 2023
Country: Cuba
Running Time: 27’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Thursday December 7
17:00h (GMT+1)
Maison de l’Amérique Latine
217 Bd Saint-Germain, 75007 Paris, France
Friday December 8
14:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Saturday December 9
21:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Sunday December 10
14:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Sunday December 10
14:00h (GMT-3)
Cinemateca Brasileira
Largo Senador Raul Cardoso, 207
Vila Mariana / SP, Brazil.
Festival Selections: Oberhausen International Short Film Festival (Principal Prize of the International Jury), IndieLisboa, Festival de Málaga, MiradasDoc (Best Short Film), Cinélatino - Rencontres de Toulouse
Director's bio:
Gretel Marín Palacio, Cuban filmmaker. Master in Documentary Film from the Paris Diderot University and BA in Film Directing from the University of the Arts of Cuba. Her short documentaries have been selected by several international festivals. "The Last Country" (2018), her first feature documentary, had its world premiere at the Málaga Film Festival and was selected in competition by the Rio de Janeiro International Film Festival. Between 2014 and 2018 she collaborated as editor and director with the audiovisual production company Geração 80 in Luanda, Angola. She has also produced audiovisual materials for Mosaiko, a civil organization for human rights in Angola.
In the center of a dam there is a small islet. The only family that inhabits it celebrates at night a changüí where nobody laughs. The morning fog brings a strange visitor: a woman carrying a cage in which she hides a magical, liberating animal.
Director:Carlos Melián Moreno
Year of production: 2021
Country: Cuba
Running Time: 30’
Programming
December 5th
Monday December 4th to Sunday December 10th
Festhome
Online for Cuba
December 5th
19:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
December 5th
14:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
December 6th
14:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
December 7th
14:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
December 7th
17:00 (GMT+1)
Zumzeig Cinecooperativa
C/ de Béjar, 53, 08014 Barcelona, Spain
Production: Daniela Muñoz Barroso
Genre: Fiction
Language: Spanish
Production Companies: Estudio ST, La Cronocasa
Photography: Lena Hernández
Screenplay: Juan Carlos Sáenz de Calahorra, Carlos Melián Moreno
Festival Selections: International Film Festival Rotterdam (IFFR), New Orleans Film Festival, Festival Internacional del Nuevo Cine Latinoamericano, Diversions International Short Film Festival (Honorable Mention), Documenta Fifteen.
Director's bio:
Carlos Melián Moreno (Santiago de Cuba, 1979). Independent filmmaker and journalist. In 2010 he won the CINERGIA Fund for the production of his first short film "Pizza de Jamón" (2011). He participated with his feature film project "Regreso a Casa" in the Sundance Director's Lab, 2018. His latest fiction short, "El Rodeo", had its world premiere at the International Film Festival Rotterdam, 2021. He has worked as a screenwriter on the fiction short film "Tundra" (2021), directed by José Luis Aparicio, selected at Sundance and Locarno, and on the feature documentary "Mafifa" (2021), directed by Daniela Muñoz, which had its premiere at IDFA's Luminous section.
Through her personal, impressionistic, and dreamlike drawings, K., a 17 year-old girl, shares her memories of the violence imposed upon herself, her family, and the people of Nicaragua by the government of Daniel Ortega – a former leader of the Sandinista Revolution (1979-1989) who mutated from a rebel fighting a corrupt government to a ruthless dictator whose iron fist now causes K. to risk her life to protest injustice.
Director:Gloria Carrión Fonseca
Year of production: 2022
Countries: Nicaragua, Costa Rica
Running Time: 18’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Tuesday December 5
21:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Wednesday December 6
17:00 (GMT+1)
Zumzeig Cinecooperativa
C/ de Béjar, 53, 08014 Barcelona, Spain
Friday December 8
10:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Sunday December 10
10:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Sunday December 10
19:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Production: Lianet Rodríguez
Genres: Documentary, Animation
Language: Spanish
Production Companies: Caja de Luz, Productora Anónima, Dos Sentidos S.A.
Screenplay: Gloria Carrión Fonseca
Festival Selections: Sheffield DocFest, Locarno Film Festival - Open Doors, É Tudo Verdade, FILMAR en América Latina, Buenos Aires International Human Rights Film Festival, Censurados Film Festival
Director's bio:
Gloria Carrión is a Nicaraguan director, screenwriter and social scientist. In 2017, her debut documentary "Heiress of the Wind" had its world premiere at IDFA. Since then, it has been shown in more than 80 international film festivals, and won several awards. In 2019 she premiered her first fiction "Days of Light" at AFI Latin American Film Festival Gloria Carrión is a Nicaraguan director, screenwriter and social scientist. In 2017, her debut documentary "Heiress of the Wind" had its world premiere at IDFA. Since then, it has been shown in more than 80 international film festivals, and won several awards. In 2019 she premiered her first fiction "Days of Light" at the AFI Latin American Film Festival in Washington, D.C. The film was co-directed by five other Central American directors. In 2020 it was chosen among the 95 films preselected under the category of Best Foreign Film for the Academy Awards. Gloria has a Master in Documentary Filmmaking from Universidad del Cine in Buenos Aires, Argentina, and a Master in Development from the London School of Economics in the United Kingdom. She is the founder of Caja de Luz and is currently developing her next documentary feature, a regional training platform and a video installation.
Armed with only cell phones to bear witness to their journey, hundreds of Cubans documented their crossing from Colombia into Panama in hopes of entering the US. Most selling all their possessions to afford the trip, they crossed the treacherous Darién Gap jungle, enduring harsh conditions and eluding human and drug traffickers—only to land in a new kind of nightmare. Cuban director Marcel Beltrán has expertly pieced together over a hundred hours of cell phone footage to show their perilous journey and firsthand account.
Director:Marcel Beltrán
Year of production: 2020
Countries: Cuba, Brazil, Colombia
Running Time: 80’
Programming
Monday December 4th
18:30 (GMT+1)
Centre de Cultura Contemporània de Barcelona (CCCB)
C/ de Montalegre, 5, 08001 Barcelona, Spain
Thursday December 7
19:30h (GMT+1)
Maison de l’Amérique Latine
217 Bd Saint-Germain, 75007 Paris, France
Friday December 8
17:00h (GMT-3)
Cinemateca Brasileira
Largo Senador Raul Cardoso, 207
Vila Mariana / SP, Brazil.
Friday December 8
19:00h (GMT-4)
Florida International University (FIU)
Graham Center, Room 150, FIU Modesto A. Maidique Campus. Miami, United States
Sunday December 10
21:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Production: Marcel Beltrán, Paula Gastaud
Genre: Documentary
Language: Spanish
Production Companies: Mediocielo Films, Marinca Filmes, Inercia Películas
Photography: Marcel Beltrán
Screenplay: Marcel Beltrán
Editing: Marcel Beltrán
Sound Design: Homer Mora
Festival Selections: IDFA - Luminous, Locarno - Open Doors, Hot Docs, Trinidad + Tobago Film Festival (Best Documentary Feature), Cinémartinique (Best Documentary Feature), Buenos Aires International Documentary Film Festival - FIDBA (Best Film in Ibero-American Competition), MiradasDoc (Best Documentary Feature), Miami Film Festival, Festival Internacional de Cine de Guadalajara, AFI Latin American Film Festival.
Director's bio:
Marcel Beltrán is a Cuban filmmaker currently living and working in São Paulo, Brazil. With film studies at EICTV (Cuba) and Concordia University (Canada), his films have screened internationally at festivals such as IDFA, Hot Docs, MoMA Doc Fortnight, DOC NYC, RIDM, FICG, Busan, DOK Leipzig, Málaga, among others. Founder of Mediocielo Films, professor at EICTV and Chavón | The School of Design, consultant for projects in development at international level and facilitator for sustainability in the arts.
Days before the invasion of Ukraine is announced, four young Cubans visit a Moscow apartment for a 24-hour stay. In their phone calls, the present and future coexist: their stories as queer and undocumented migrants, and the exchanges with the film's director after the outbreak of the war.
Director:Luis Alejandro Yero
Year of production: 2023
Countries: Cuba, Germany, Norway
Running Time: 65’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Tuesday December 5
19:00h (GMT+1)
Zumzeig Cinecooperativa
C/ de Béjar, 53, 08014 Barcelona, Spain
Friday December 8
14:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Saturday December 9
21:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Sunday December 10
14:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Sunday December 10
14:00h (GMT-6)
Cinemateca Brasileira
Largo Senador Raul Cardoso, 207
Vila Mariana / SP, Brazil.
Production: Daniel Sánchez López, Luis Alejandro Yero, Elisa Pirir
Genre: Documentary
Languages: Spanish, English, Russian
Production Companies: Cosmic Productions, Cuarto Oscuro Cine, Stær
Photography: María Grazia Goya
Editing: Luis Alejandro Yero
Sound Design: Saulo Adrián, Pablo Cervera, Luis Alejandro Yero
Cast: Dariel Diaz, Daryl Acuña, Eldis Botta, Juan Carlos Calderón, Luis Alejandro Yero
Festival Selections: Berlinale Forum (Teddy Award nominee); Doc Fortnight: MoMA's International Festival of Nonfiction Film and Media; Hot Docs; Guadalajara International Film Festival; Buenos Aires International Documentary Film Festival - FIDBA; Gijón International Film Festival; Festival dei Popoli; FILMAR en América Latina
Director's bio:
Luis Alejandro Yero is a Cuban filmmaker graduated in Documentary Directing from the Escuela Internacional de Cine y Televisión (EICTV) of Cuba. His short films have been awarded at Mar del Plata, FICUNAM and Havana, among others, in addition to being screened at more than a hundred festivals such as IDFA, Sheffield, Jihlava, Jeonju, Thessaloniki, Busan, Malaga, Olhar de Cinema, and cultural institutions such as the Lincoln Center in New York and the Cervantes Institute in several cities around the world. Since 2020 he coordinates the Documentary Department of the EICTV. His debut film "Calls from Moscow", had its world premiere in the Forum section of the Berlinale 2023.
They are my parents' friends. The last farewell was in Minsk in 1984. They were going back to Cuba after finishing the five-year career in Marxist-Leninist Philosophy. They returned with the doubts of Perestroika, with the Russian stories and the tea. They foresaw a future that was not. Time put them in different places on the map. Now that they can meet again, they wonder what is the thread that still ties them together?
Director:Carla Valdés León
Year of production: 2021
Country: Cuba
Running Time: 18’
Programming
Monday December 4th to Sunday December 10th
10:00h – 11:44h (GMT-6)
Festhome
Online for Cuba
Tuesday December 5
10:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Wednesday December 6
10:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Thursday December 7
10:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Thursday December 7
17:00h (GMT+1)
Maison de l’Amérique Latine
217 Bd Saint-Germain, 75007 Paris, France
Sunday December 10
21:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Production: Carla Valdés León
Genre: Documentary
Languages: Spanish, Russian
Production company: Micromundo
Photography: Carla Valdés León
Editing: Lilmara Cruz Pavón
Screenplay: Lisandra López Fabé
Sound Design: Glenda Martínez Cabrera
Music: Alfred Artigas, Yaíma Orozco
Cast: Félix Valdés García, Yohanka León del Río, Ibis Menéndez, Gilberto Pérez Villacampa, José A. Matos, Odalys Canales, José Álvarez, Iliana Garcés
Festival Selections: World Cinema Amsterdam, Festival Internacional del Nuevo Cine Latinoamericano (Short Documentary Coral Award), Ibero-American Film Festival Miami (IAFFM), Documenta Fifteen, SHORTS MEXICO, Seattle Latino Film Festival, Festival de Cine Latinoamericano de La Plata (FESAALP).
Director's bio:
Carla Valdés, Cuban documentary filmmaker. Graduated from the University of the Arts of Cuba in 2016. She was a member of the Mezcal Jury in the 30th Guadalajara International Film Festival, 2015, and a Member of the Board at Festival Muestra Joven, Cuba, between 2018 and 2020. She participated in Talents Guadalajara, 2022. She has directed the short documentary films: “The Pure Ones” (2021), which obtained the Coral Award for Best Documentary Short Film in the 42nd Festival Internacional del Nuevo Cine Latinoamericano, Cuba; and “December days” (2016), Award for Best Documentary at the Muestra Joven, Cuba. Her work has been exhibited at festivals in the Netherlands, Germany, Argentina, Mexico, and the U.S. Her feature-length documentary project "Ante el camino" was selected for the Academia de Cine Residencies, Spain, 2022-2023.
Filmmaker Daniela Muñoz Barroso embarks on a journey to eastern Cuba on the trail of Mafifa, an enigmatic woman who played a percussion instrument for men, the sound of which Daniela, who suffers from hearing loss, cannot hear. The journey will make her question her convictions and face her deepest fears.
Director:Daniela Muñoz Barroso
Year of production: 2021
Country: Cuba
Running Time: 77’
Programming
Tuesday December 5
19:00 (GMT-5)
Festhome
Online for Cuba
Friday December 8
19:00h (GMT+1)
Zumzeig Cinecooperativa
C/ de Béjar, 53, 08014 Barcelona, Spain
Saturday December 9
19:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Sunday December 10
19:00 (GMT-5)
Festhome
Online for Cuba
Production: Daniela Muñoz Barroso
Genre: Documentary
Language: Spanish
Production company: Estudio ST
Photography: Daniela Muñoz Barroso
Screenplay: Daniela Muñoz Barroso, Carlos Melián Moreno, Joanna Montero
Editing: Joanna Montero
Sound Design: Glenda Martínez Cabrera
Music: Sarah Gutiérrez, Pepe Gavilondo
Festival Selections: IDFA - Luminous, Göteborg Film Festival, True/False Film Fest, Festival de Biarritz Amérique Latine, É Tudo Verdade, Festival del Cinema Ibero-Latino Americano di Trieste, IDA Docs Spring, Cinelatino Tübingen (Audience Award), CinéMartinique (Award for Best Feature Documentary), Flying Broom International Women's Film Festival (FIPRESCI Award), Trinidad + Tobago International Film Festival (Documentary Mention)
Director's bio:
Daniela Muñoz Barroso (Cuba, 1994). Documentary filmmaker, producer and photographer. Graduated in Cinematography at the University of the Arts of Cuba. Co-founder of the independent Cuban production company Estudio ST, with which she has produced the short films "Tundra", "The Rodeo", "The Rubber Boy" and, recently, "La Historia se escribe de noche" and "Blue", films selected at festivals such as Sundance, Rotterdam, Locarno, Ji.hlava, Bogoshorts, BAFICI, Miami, among others. His feature documentary "Mafifa" (77′, 2021), premiered in the Luminous section of IDFA and was selected in more than twenty festivals. She has also directed the short documentaries "Umbra" (10′, 2021), premiered at FICViña, Chile, with which he participated in the Open Doors Immersion program at the Locarno Film Festival, 2022, and "4 Hoyos", with world premiere at IDFA, 2023.
Three Cuban activists, at the center of the civic protests of recent years, recount their stories of blackmail, forced exile and repression. Women, mothers, artists, they describe today's Cuba from the San Isidro hunger strikes to the massive protests of July 11th, 2021.
Director:Fernando Fraguela Fosado
Year of production: 2023
Country: Cuba
Running Time: 50’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Tuesday December 5
21:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Wednesday December 6
17:00 (GMT+1)
Zumzeig Cinecooperativa
C/ de Béjar, 53, 08014 Barcelona
Thursday December 7
17:00 (GMT+1)
Maison de l’Amérique Latine
217 Bd Saint-Germain, 75007 Paris, France
Friday December 8
10:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Sunday December 10
10:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Sunday December 10
19:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Production: Fernando Fraguela Fosado
Genre: Documentary
Language: Spanish
Production Companies: Rialta, PalenqueFilms
Photography: Javier Labrador, Fernando Fraguela Fosado
Fernando Fraguela (Cuba, 1991). Graduated in Film Directing from the University of the Arts of Cuba in 2018 and in Documentary Video Production from NYU Tisch School of the Arts in 2019. He wrote and directed the documentaries "El matadero", awarded Best Documentary at the Malaga Film Festival and the Sacramento Underground Film & Arts Festival; "Sueños al pairo" (2021), premiered at BAFICI and winner of the Best Cultural Representation Award at the Austral International Film Festival; and "Las desdichas de un hombre" (2019), Best Documentary at the Imago Festival. He wrote and directed the fiction short films "Ladridos" (2016), official selection at the Gibara International Film Festival, and "Un hombre" (2015), Best Short Film at the Muestra Audiovisual Almacén de la Imagen. His films have been exhibited in the United States, Europe, Latin America and Asia as part of various film festivals and events.
Driving around the streets of Havana, Lav Diaz – the famous Filipino director – and Gustavo Fleita - a talkative Cuban taxi driver – find themselves discussing politics, migration, social conditions and love; touching on many personal stories and experiences, they create an historical portrait of the situations of their own countries.
Director:Tommaso Santambrogio
Year of production: 2023
Countries: Cuba, Italy
Running Time: 50’
Programming
Friday December 8
17:00h (GMT+1)
Maison de l’Amérique Latine
217 Bd Saint-Germain, 75007 Paris, France
Friday December 8
10:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
December 10
10:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Production: Ivan Casagrande Conti, Marco Malfi Chindemi, Tommaso Santambrogio
Genre: Hybrid
Languages: Spanish, English
Production Companies: Rosso Film, Chiotto Film
Photography: Lorenzo Casadio Vannucci, Tommaso Santambrogio
Festival Selections: Visions du Réel, Filmadrid (Special Mention of the Young Jury), MDOC – Melgaço International Documentary Film Festival (Jean-Loup Passek Award for Best International Short or Medium Length Film), Telluride Film Festival, Mediterranean Film Festival, Ji.hlava International Documentary Film Festival.
Director's bio:
Tommaso Santambrogio (Italy, 1992) is a film director and screenwriter from Milan. He lived and studied in Milan, Paris, Rome and Havana, where he attended the EICTV. He also studied at the Centro Sperimentale di Cinematografia and at the Civica Scuola di Cinema Luchino Visconti. He worked with several internationally renowned artists, such as Werner Herzog and Lav Diaz, with whom he directed in the Amazon, Cuba, and the Philippines, respectively. His latest short films, "The Last Scene" and "The Oceans Are The Real Continents", were presented at multiple international festivals and won several awards (Havana, Palm Springs, Toronto, Sydney, Cork, Barcelona, Split, etc.). Both short films were presented as world premieres at the 2019 Venice International Film Festival. His first feature film, also titled "The Oceans Are The Real Continents", premiered as the opening film at the Giornate degli Autori in Venice in 2023.
Montreal. Emmanuel is a Cuban emigrant who only wants to rest after his intense work days. One day he meets Nicole, a beautiful anarchist and social fighter, who leads him down an unexpected path.
Director:Emmanuel Martín
Year of production: 2023
Countries: Canada, Cuba
Running Time: 77’
Programming
Monday December 4th to Sunday December 10th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Tuesday December 5
14:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Wednesday December 6
14:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Wednesday December 6
21:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Thursday December 7
14:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Production: Emmanuel Martín, Mike Som, César Solís, Lester Harbert Noguel
Genre: Fiction
Languages: Spanish, English. French
Production company: Independientes Bajo Tierra
Photography: Jonathan Melo, Francois Dufort, Noé Palard
Screenplay: Emmanuel Martín
Editing: Emmanuel Martín
Sound Design: Arango R. Dahl
Music: Jefferson Pérez, Rubén Lester
Cast: Emmanuel Martín, Mahélie Lortie, Camilla Purdy, Iulia Nastase, Cassille Franche-Karsenti, Lester Harbert Noguel, Myriam Lopez, Umar Chaudhry, Danay Campos
Festival Selections: Festival premiere
Director's bio:
Emmanuel Martín Hernández (Cuba, 1983). Emmanuel Martín Hernández (Cuba, 1983). Filmmaker, actor, journalist and chess teacher. With the exception of "Un homme sous son influence", filmed in Montreal, all his films have been made in his hometown, Santiago de Cuba. Among them are the short films "En el iglú" (2008) and "Buen viaje, Stalkers" (2011), as well as the feature film "Historias de ajedrez" (2019).
Venezuelans observe from their windows the protests that took place in the country between 2014 and 2017. We are shown an archive of violence, images of a collective memory shared on social networks.
Director: Jhon Ciavaldini
Year of production: 2022
Countries: Venezuela, Argentina
Running Time: 18’
Programming
December 4th
10:00 – 24:00 (GMT-5)
Festhome
Online for Cuba
Tuesday December 5
21:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Tuesday December 5
10:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Wednesday December 6
17:00 (GMT+1)
Zumzeig Cinecooperativa
C/ de Béjar, 53, 08014 Barcelona, Spain
Wednesday December 6
10:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Thursday December 7
10:00h (GMT-6)
Laboratorio Arte Alameda
Calle Dr Mora 7, Colonia Centro, Centro, Cuauhtémoc, 06050 Mexico City, CDMX, Mexico
Sunday December 10
19:00h (GMT-3)
Centro Cultural General San Martín
Sarmiento 1551, C1042 ABC, Buenos Aires, Argentina
Production: Jhon Ciavaldini
Genre: Documentary
Language: Spanish
Production Companies: La Cordillera Films, Universidad del Cine
Cinematography: Jhon Ciavaldini
Screenplay: Jhon Ciavaldini, Valentina Cayetano Kelly
Editing: Germán Basso
Sound Design: Juan Cruz Rospide
Music: PD Zapata
Festival Selections: BAFICI, Leiden Shorts, Festival de Cine Venezolano de Mérida, Caminhos do Cinema Português (Best International Essay), Buffalo International Film Festival, Barquisimeto Film Festival, Student Impact Film Festival (Honorable Mention), Encuentro Internacional de Experimentación Audiovisual Neosfest
Director's bio:
Jhon Ciavaldini (Venezuela, 1986). Graduated in Social Communication from the Universidad Central de Venezuela. Winner of the Ibermedia Scholarship to participate in the Diploma in Creative Documentary (UNIVALLE) with the French school Atelier Varan in Cali, Colombia. He studied the Master's Degree in Documentary Film at the Universidad del Cine, Argentina. In 2017, together with other students of the Universidad del Cine, he created La Cordillera Films. He’s developing his first feature film "Diaspora", winner of the Best Pitch Award at the 8th Acampadoc in Panama. He has made the short films "Bitácora" (2022), "Ventanas" (2021, World Premiere at BAFICI), "Reminiscencia" (2019), among others.(2022), “Ventanas” (2021,Premiere Mundial en BAFICI), “Reminiscencia” (2019), entre otros.